(2017) “Between Science and Supernaturalism: Mimesis and the Uncanny in Nineteenth-Century Theatre and Culture”,ġ9: Interdisciplinary Studies in the Long Nineteenth Century.(24).Ī brief report published in Nature in September 2006 describes the induction of ‘an illusory shadow person’ through electrical stimulation of the left temporoparietal junction. Irving’s interest in the double consciousness of the actor is discussed in relation to psychological theories of dual consciousness, and their exploration in clinical practice with patients diagnosed as hysteric. These include evocations of the doppelgänger in works by Thomas De Quincey, James Hogg, and Walter Scott, and in Henry Irving’s theatrical productions. My concern here is to explore how the overlay of scientific and supernaturalist frames is managed in some of the more influential literary and dramatic portrayals of uncanny mimesis. Somewhere between the conviction afforded by cognitive processes and the flickering sense intimated by the live wiring of the nervous system, new dimensions of reading and interpretation were opened up.

In Nicholas Royle’s words, the uncanny is associated with ‘a flickering sense (but not conviction) of something supernatural’. As they did so, these clinical experiments involved an engagement with the interweave of mental and physiological expression. While the phenomenon of the Brocken spectre is one of the era’s most resonant manifestations of an uncanny mirroring of the body, later nineteenth-century developments in clinical psychology began to focus on the sense of an alien presence residing in unknown reaches of the human brain. Another kind of duality is at issue in the imagined presence of the doppelgänger, as a figure in both physical and mental life. |19: Interdisciplinary Studies in the Long Nineteenth CenturyĪrticle Between Science and Supernaturalism: Mimesis and the Uncanny in Nineteenth-Century Theatre and CultureĪuthor: Jane Goodall (Western Sydney University) AbstractĬuriously placed between the realms of science and supernaturalism, the phenomenon of the uncanny double has a distinctive presence in both. Goodall | Between Science and Supernaturalism: Mimesis and the Uncanny in Nineteenth-Century Theatre and Culture

Brocken spectre science